quilting

Mondrian shirt – Completion

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Now that I have the design turned into fabric, it is time to create a shirt.

While I was still making sketches, I considered continuing the design onto the back, and even the sleeves. And the more I thought about it, the less I liked the idea. Since one of the design ideas was that it should be wearable, the sleeves would move, and with it any lines that I’d try to continue onto them. In my mind, this would distract, instead of add to the design. And the pattern that I used for this shirt, a loose-fitted one, has pleats in the back where the yoke meets the rest of the fabric. This is a good feature, since I want the shirt to be wearable. But it also means that those pleats would seriously distort any type of geometric design I could come up with.

So I ditched that idea. And considering how much time it took to create the front, I’m not shedding any tears over that decision. I think I would have given up on the project if I had to do the back and the sleeves too.

To make it not completely boring, I added a strip of black to the bottom of the back yoke. And while I was sewing that together I saw that there was one black line that ran all the way across the front. I couldn’t help myself, I cut the back where this line would match up and inserted another black strip of fabric. At least the back would some decoration.

The sleeves were rather easy. Make a cuff that looks like a colour block, and do the same for the placket. The plackets would be yellow blocks with black lines, and the cuffs would be one red, and one blue. And I completely forgot to take any photos of the process.

Now only one thing was left; the collar. And if you have been following me on this blog, or Instagram, you know that I have a thing for collars. I couldn’t let myself get away with something simple. So it was literally back to the drawing board.

One thing was obvious; even though the black lines weren’t very wide, they were too big for a collar. The simple solution was to just make them half as wide. This would not be as big of an issue as I initially thought. These seams don’t have to be finished; they’re completely hidden inside the collar and only need to be pressed open. I would not have to make faux French seams here.

Initial design

There wasn’t really a method to creating the design. I made a collar stand from paper and made a rough paper collar that I taped onto it. Then drew on that to see what I liked. Matching the lines up with the horizontal and vertical lines on the shirts was the most pleasing. And, of course, it had to be asymmetrical.

Transferring this design onto fabric was finicky. The precision required to make it look nice was even higher than with the front of the shirt. But I didn’t have to do the seams finishes, and there were a lot less seams.

Now the only thing left were the buttons. I chose small black ones, on both sides of the wide placket. This would not disturb the symmetry, while being as unobtrusive as possible.

This was a great project, because it required so many new things of me. I needed to sketch, quilt, draft, and above all, not become frustrated with the tediousness of it all. There are a lot of things I learned, and there are many things I would do differently if I were to make another one. Yet, I’m very happy with it, and it feels good to finally (a year after the thought entered my brain) have it be part of my wardrobe.

Thanks for visiting!

Mondrian shirt – Construction

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With the initial design finally done, it still had to be turned into real measurements. The best way to do this would be to make a full-sized front pattern piece from my favourite shirt pattern. This would allow me to see what decisions would look like.

The sketch provided me with the overall layout of the lines and areas. Now I had to decide the exact measurements of all those parts. One of the key dictating parts was the centre front. I figured that this should be a placket of sorts, and could therefore not be too wide. Having the black line be part of the placket seemed best to me. For the first try I used black lines that were 3/4″ wide. That only allowed for a middle section of about one and a half inches, too narrow for the design. So I shrunk the black lines to half an inch and the middle section to 2. This looked more balanced.

A lot of measuring followed and eventually I got to a representation of the sketch in exact measurements. At the same time I made a couple of small tweaks to the design.

Final design

The next phase would be figuring out the construction of the actual shirt. I had some requirements that had to be incorporated:

  • The design must be made of fabric. No printed patterns.
  • The shirt must be wearable.
  • All seams need to be finished.
  • No stitches on the right-side.

I quickly realised that although the colours of my fabric are very vibrant, the white, and the other colours to a lesser extend, are somewhat translucent. This is not an issue in and of itself, yet at the seams it may be. I would not want a darker colour to be shown through the lighter colour. So all seams would have to be pressed open, or towards the darker colour.

With my self-imposed limitation of not having any stitches or unfinished seams, it would have to be constructed with French seams. But I didn’t think I could be as precise with those as I would need for this project. And some experimentation proved me right, I couldn’t make those seams with a precision of less than 1/16″. I would have to sew the seam first, and then do the finish to get an acceptable result. No other solution would give me the precise parallel seams that something this geometrical requires. So the solution would have to be a mock French seam. Sew the seam first, iron both seam allowances into the seam, and then stitch them together. It would be just like a French seam, but with the stitches showing on the wrong side. Initial testing showed that this would be doable.

Going back to the final design, and the width of the black lines, I realised I did not have much space for the seam finishes. Two mock french seams would have to be pressed towards each other and fit inside the half an inch the black lines are wide. Seam allowances of 3/8″ would give me finished seams of 3/16″, and that would fit. It would be small and finicky, but it would fit.

With all of these decisions made, I could finally start cutting the pieces out. First a whole lot of long black strips, both vertically and horizontally cut, to keep the grain correctly. Then the coloured squares and rectangles. And then the white ones. I quickly figured out that I would have to keep track of each white piece, and where it is supposed to go. I wrote letters on the final design and attached pieces of paper to the white fabric as I cut them out. A whole stack of fabric pieces appeared that somehow had to become a shirt.

Now it just became an exercise of joining all the pieces together in the right sequence. I figured out before getting really into it that I had to join certain pieces before others. Basically try to do short seams before long ones.

  • Sew the seam
  • Press the seam allowance in
  • Press the allowances together
  • Create the mock French seam
  • Mock seam done
  • Sew the next seam
  • Press the wrong side
  • Final press

I never dreamed it would be this much finicky work. Almost constant concentration for long periods of time. In the end I decided that I would only do half an hour to an hour at a time. Then do something easy – a different shirt – for the rest of the evening.

Slowly but surely the mosaic started to take shape. And after over 430 inches – almost 9 yards! – of mock French seams, I had the two front panels done.

  • In progress
  • Both panels done
  • Sketch and result

Now all the was left for the fronts was to cut them out according to the pattern. That took quite a bit of courage. And measuring twice before cutting. Or maybe three times? I probably measured a dozen times before I dared to cut into it.

Thanks for reading.